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Safety Second

by The Owl in Daylight

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1.
tar and feathers ashtrays lost count of wayward days. i can’t keep calendars straight. halfway between asleep and awake, we keep dredging on. we keep plugging away. astray, it’s time to say so long. today, consider this a countdown. here’s to living without you. here’s to overwhelming relief. here’s to all that we got through. here’s to all that lies beneath. here’s to breathing without you. here’s to the difference of want and need and which i thought you belonged to and what you really are. amazed, i’ve broken through the chains. they can’t keep calendars tamed. i face a world freed from the daze i now see beyond, i now see fade away. thought i was too far gone. afraid i would never break out.
2.
plus or minus one i figured out what the figures mean: they keep us incarcerated. on the ground, wallets bleed, pouring pocketfuls of change. decimated by decimal places, paper cages known as home. transparent halls see what your fate is. will that glass ceiling fall? awaited by blue skies far past the concrete calling. i am breaking out. i am breaking down. we’re reaching out beyond our means, fingertips feel frustrated. scream at the sound of broken dreams. frozen fractured states. decimated by dead men’s faces and apparitions’ woes, shackled by metal embraces, bound to the wall. we’re losing who the hell we are: emerald and jaded; confusing; bruised behind the bars; emasculated. in darkness, we might find the faint shine of hope but the brightness, it could blind as our eyes reopen. are we worth nothing? just put me into the positive. are we worth nothing? you’re worth more than you know.
3.
Barcelona 04:08
barcelona on the train when we thought we lost you on our way to a spanish shore. as the sun sets, we forget that you left us too long ago but not long ago. back in paris, after we lost you and found you sleeping on the lobby floor, and you said that your head and heart have been beating slow. i know just how you feel. we’ll meet again in barcelona. we’ll meet again in another life. we’ll never feel like we did in barcelona and i guess you missed those nights. there in london we thought we lost you as we waited for our plane to board but alas no plane crash to keep us away from home how could we have known? in the morning from these states, our loss is colossal. for granted, the things we take: we can’t hear it. mourning for your sake, the thought impossible. regretting our mistakes, sincerely unreal.
4.
silver snakes your words are dipped in silver of the rarest kind. once sent tenses fail, they’re redefined. the world we live in stripped of all that was inside when we’ve fallen pale about to die. your words are drenched in the sweetest of all lies when deception prevails, we see behind the masquerading equipped to keep us blind to the whipping of tails coiled out of sight. if it seems alright then it must be wrong. we can’t feel the bite when disguised by song. exposed, we find the flow of honest bloodlines. let go. unwind. your serpentine-like eyes say that i should be scared of you. if you’re wound too tight then it won’t be long until your scales might slither out in the sun you’re posed to strike the flow of venom bloodlines. you know it’s time your serpentine-like eyes say that i got the best of you.
5.
disarm the alarms to be sleeping by the phone waiting for an answer: maybe this is madness defined. vacuous, your bones. emptiness, a cancer. maybe now our marrow resigns. to be staring at that phone, silent, this disaster. maybe someone cut off the line. dead without a tone, punch the numbers faster. maybe you first have to hit nine. i’m hanging up. you’re hung over. i’m giving up. could this get older? you’re not alone but it feels like no one’s calling. once made of stone, the walls have been caving in. you’re not alone if you don’t mind recalling. reaching out for you. you’re not too far gone. to be cursing at that phone, blame it on that bastard maybe you should see as a sign. circled in a room but i’m still in your corner. maybe after all we’ll be fine.
6.
goodbye satellite your heart is bleeding chemtrails into interstellar seas evaporating daytime, you’re skipping all the beats. so far, so good. you’ve really done your best. our telescopes are cracked. you’ve sabotaged the craft. you’re world’s apart. the engines start to say that we’re leaving without you. lost in the dark, you drift too far. you’re caught in the vacuum. so goodbye satellite. communication is confounded. dishes down. disarray. this is sorrow: gravitation towards ungrounded. out of sound, outer space in the outer hollows. you’re your own runaway train in the form of shooting stars carving scars in the arms of the dark. call it new names: metaphors of the wrong time and the wrong place for you’re on your own. conversation is enshrouded. this is how we part ways until tomorrow. lamentation becomes unclouded out of sound, outer space in the outer hollows. you’re floating out of orbit. you’re flying out of sight. it’s not too long until you’re gone now. so sleep tight.
7.
vacancy, no vacancy your shelf life isn’t all that you think. the dates you put faith in are weak and waning. with more ground you gain, you sink. the walls might keep you from the brink of total destruction, brief interruption but does that cut it? it all comes crashing down. it all comes crashing down around you. the lights are on but there’s nobody home. if there’s something wrong, no one will have known. we’re unfettered by final letters. you’ve come untethered at the joints of bones but together, we could’ve weathered any measures our way thrown. your half life isn’t all that you dream in states of sedation. as you awaken, it compounds so the more you sleep. the walls might push you to the brink of complete corruption. reconstruction because you can cut it.
8.
finger point painting your art is dead and cold; broken likes panes of windows shattered by winter’s prose. lord knows what they think about it. your art’s been left unsold; faceless to nameless sideshows, sometimes lost and that’s how it goes. what can we do about it? i’m drying out. arbitrary is the nature of a failure we make believe. change the story. meet your maker with eyes like razors and on your feet. your art is heart and soul painted for saints and heroes defined by what your eye beholds. forget what they think about it.
9.
long live the coffin dodger you're thinking this must be getting old when that sinking feeling crawls down your bones. somehow we found out together just where we are: lost in a one light town. we're insignificant. please turn up the stereo and play it louder. drown out scenarios where we relinquish our power. a half step from deaf to dead, i'm praying for a miracle as i am gradually reaching over the top of the hill in a place where i'm slowly dying. ailing and ill, i'm just killing time. we're watching our little lives unfold when that haunting feeling crawls down our bones.
10.
memorial wings there he lies paralyzed, so anxious and listless. terrified, his hands are tied still to the table. parasite’s pair of eyes surely a witness to chopping him down until there’s nothing quite left of you now. sever the world like arms amputated. cutting the nerve until his blood will flow. classified by lonely flies: immobile, defenseless. anesthetized, he pushed his knife straight through to the table. his demise self-prescribed, numbing and senseless to the sawing sound until there’s nothing quite left of him now. punish the world. we’re decapitated. dissecting the nerves and his head will roll. hello? is anyone there? is anyone listening? does anyone care? where is absent operator? dead connection. try it later when your heartbeat’s impalpable. you’re reticent to take your medicine. your skin’s turning purple. you’re hesitant to let us in, clean cut with a scalpel. on top of the world, highly anticipated detaching the nerves. observe the show.
11.
xm radioactive we’re toxic material: iridescent and eyes glowing green, killing slowly before you feel it boiling over. it is nothing if not surreal. it’s transcendence from fatal mystique. sapphire hues lose all appeal. it’s rolling over. we throw it out in the ocean. we put it in the past, lead weighted, and we pray that it stays on underwater floors unoxygenated. we’re toxic material, phosphorescent and radiating. dying slowly before we heal, we’re boiling over. another piece falls from breaking her heart, she’s breathing through tattered lungs. the lights go dark. she’s sleeping. we’re awake, alone: it’s not time to say goodnight. please stay so close. we don’t want to say goodbye.
12.
random scenes from a character assassination you’re so handy with a knife. your voice is a stiletto buried deep within my spine. you’re always on point with the parallel of an undefined line. the words you spawn: straight as a carousel as it propels around. show me a night when you don’t play a vampire. transformed by the light, you’ve lost your glow. at the close of the night, when you finally expire, who knows what rewrite you’ll start tomorrow. you’re no stranger to a lie. you talk in a falsetto hollowed out inside. the curtain’s drawn. time for the oversell to us deaf, dumb and blind. your words are a psalm sweeter than caramel. a fond farewell in sound. can i have your autograph grafted in my skin before you’re bigger than heart attacks so i can say i knew you way back when? we’re old school like photographs and i see you’re just as thin. empty is this paper. dry is this pen. can i have your autograph?
13.
Wanderlust 05:49
wanderlust you'd be drying your eyes if i said i'm leaving. or would it even wake you? pretend to be sleeping. i'd catch you by surprise. you'd be barely breathing. or is the thought to you just so appealing? i'm gone on holiday. leave a message at the tone. while i'm far away i might think about you. oh wanderlust, you've got me wishing i was anywhere but here. here's to taking off. and shutting my eyes. and boxing my ears. we should say our goodbyes as planes hit the ceiling and are buried by blue: both sky and feeling.

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Debut Full Length

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released January 27, 2015

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The Owl in Daylight Los Angeles, California

welcome to THE OWL IN DAYLIGHT: a tight-knit, los angeles-based pop-punk / post-hardcore band, rooted in a sound that they grew up with; nostalgia for east bay, ca & chicago pop-punk rock of the 90’s, blending high-energy rhythms & singalong vocal hooks. lyrically grounded in poetry, THE OWL IN DAYLIGHT bridges the gap of seemingly simplistic, catchy, punk rock style & technical, progressive edge. ... more

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